Q&A Feature: Legendary A.T

Legendary A.T is a multi-talented artist who’s musical passion has brought her multitude strides of courage and unapologetic attitude towards her craft to tell her very own story. Now I sit here and spend some time with her as I present to her a platform to tell her story with us.  IMG_8609

In your own words, who is Legendary A.T?

Legendary A.T is a singer, songwriter, rapper & musician from Lonoke, Arkansas. I’m extremely passionate about music and creates it when I feel that I have something to say. I’m a real artist who only speaks on real life experiences that I’ve been through.

How did you come up with your stage name, Legendary A.T? What does the acronym or initials, A.T stand for in your name?

‘Legendary’ was inspired by Bob Marley’s Legend album. When I was introduced to his music, I began researching him and reading up about who he was. I was inspired by what he stood for as an artist. I wanted to choose a name that would represent who I am and what I want to achieve, which is someone who would stand out with a distinctive style of music that people can relate to. I want my music to live on forever. I want to always touch and motivate the people who listens to it, even if it’s 20 or 30 years from now.  A.T represents the first and last initials of my last name which is Angela Terry.

What’s the story of how you got into music? How long have you been working as an artist?

I’ve been a musician since I was 7 or 8. I started out playing the drums at church, and as I get older I’ve always knew that I wanted to sing and rap from being inspired by Lauryn Hill. I began writing poetry and song lyrics when I was 14. I started pursuing music and recording professionally in 2016 with Ferocious Production Studios here in Little Rock.

Were you also magnified towards music, or did you once gravitate to a different route in your life?

Music has always been apart of me for as long as I can remember. Saturday mornings, in the early 90s, I used to hear my mom listen to artist like Sade, Anita Baker, and Howard Hewitt when she would clean our home. I knew since I was a kid that I wanted to do music. It just felt right. I come from a family of musicians.

You just released your second album, S. Murray (A Different Side). How is this album different from your first? How did you come up with the title of your new album?

S.Murray (A Different Side) differs from my  Back To Me, album because the messages in my lyrics are a bit more in depth with what I’ve experienced and endured from me speaking about being molested. I’m able to show people my creative storytelling abilities. Also, my different styles of writing music I do without traditionally being categorized to just one genre. I’m able to create from all angles, hence the title, (A Different Side). The S.Murray portion of my album title was named after a close friend who inspired a few songs on the album. I began writing music for the album back in 2017.

You had the privilege of collaborating with Tray Chaney on a song on your new album. How did that come about and what was it like to work with a well-known artist like Tray Chaney?

I’ve followed Tray’s career since HBO’s The Wire series when he played ‘Poot’. Years later, he appeared on one of my favorite shows Saints and Sinners as Kendrick. I began following him on Instagram, and I started seeing him post about his music.  It was different, unique and positive. Tray has his own style, so I reached out and after a year of trying to get in contact with his people, we finally connected. I like his vibe. He’s a super humble and laid back individual.  I explained the concept of the song and that I wanted to feature him on, I sent it over, and the rest was history. I think he’s an amazing talented,  inspiring, motivational artist whom I’d like to work with again!

Do you have other artists on your bucket list that you would love to work with?

I would love to work with Lauryn Hill, Seal, Sade, Phil Collins, and Paul Hardcastle. I’m a huge fan of their crafts.

How does it personally feel to have your own billboard ad in your state to promote your new album?

It’s always felt surreal to me, because I’m not a mainstream artist, as of yet, and we mostly only see major artists on billboards. I had imagined seeing my face on different billboards within Arkansas and other places, and I’ve made that happen. It is amazing and I feel somewhat accomplished in a way.

For an artist in Arkansas, what would the audience not know of the career development compared to those that are artists in a metropolitan area like Atlanta, Los Angeles, or New York?

Nothing comes easily. Being from Arkansas, you have to work hard to be heard, because there’s not a big market for music here although Arkansas is filled with talent. If you’re not consistent and willing to go that extra mile by marketing yourself, you’ll never be heard in my opinion.

What is something about Arkansas, or even the people, that you would like to share that outsiders probably wouldn’t know about the state? What keeps you to stay, rather than taking your career to another city?

Arkansas has some of the best musical talents, actors, and  historical icons such as Civil Rights crusader Daisy Bates, Former surgeon general Joycelyn Elders (who was the first black woman to hold that post position in country), Former U.S. President Bill Clinton, Poet/Actress Maya Angelou, Scottie Pippen, Al Green, Billy Bob Thornton, etc… all hail from Arkansas. I love the history here, plus most of my family is in Arkansas. It’s my home.

Do you feel the availability of social platforms and our modern tech world has helped those in more remote areas to be discovered?

Absolutely! I’ve heard so many artists have become overnight sensations with sites such as SoundCloud. You can upload your music and you never know who may hear it, and just like that an artist’s song could become a hit record.

In your album, S. Murray (A Different Side), the interlude “No Love for You” spoke out to me. Especially the line, “Told me, I shouldn’t have told people who molested me…” That’s a powerful interlude. What gives Legendary A.T her strength and her voice? What gave you the influence to speak out about that raw aspect of your story? Does it help that it gives others, who feel they don’t have a voice, something to relate to?

I get my strength from God and my supporters. Some people are  afraid to speak up about being abused. One of the main reasons people don’t speak out about being abused is, because they feel that no one will believe them, or they may receive backlash as I did when I outed my molester back in 2017. I did not have much support from my family. Some tried to make me feel as if I was bringing shame on my family.

Overcoming that hurt is why I write these type of raw lyrics, so that my supporters will know how I was treated, and I will use my voice and be support system to other victims out there. I never completely allowed certain family members to tear me down when I’m  a survivor of molestation. I felt as if they tried to regulate my healing process by saying things such as “I should let it go and forgive” or that “I shouldn’t have spoken openly about it”. I was even told by someone that me speaking about being molested could ruin me trying to to pursue music, but I never listened to them.

What other projects are you working on now? What’s next for Legendary A.T?
What should we expect from you in 2020?

I’m always constantly writing music, and I’ve been invited on a few projects as a featured artist, which you’ll be hearing soon. My goal by 2020 is to be known worldwide. A artist who touches people with my music. I will also like to have my 3rd released by fall of 2020. That’s the goal.

Your talents expand from singing, to playing the drums, to playing the acoustic guitar. Would you have a hidden talent that your fans may not know of?

I’ve always been an aspiring massage therapist. I’ve always been great with my hands, so yea, that’s one of my many talents. I enjoy relaxing people, because of the benefits your body gets  by getting massages. I used to make money in High School giving messages during class to my teachers and some classmates. I would give them shoulder massages or hand massages and they’d fall asleep (laughs). That’s when I knew I had a special gift.

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Q&A Feature: Tray Chaney

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I’ve connected with this artist for the past five years, at least, and I have the largest amount of respect for his craft and artistry as an actor, a hip-hop artist, and a motivational speaker.

Even as today’s hip-hop industry can’t seem to draw away from negative terms and swear words, Tray Chaney has formatted his craft of not using such words in his messages.

Even as a combat veteran who swears like a sailor, I can respect him for infinite miles on his direction for his powerful stories and positive messages, because what it comes down to for the both of us is providing a positive life and changing the world for the better from our own visions. This is why I stand with his purpose and mission in his artistry in today’s day and age.

Thank you Tray for taking your time with me to answer my questions and promote Chaney Vision while collaborating with GautschVision. Let’s dive right into the interview, shall we? 

You’ve been diving into the music career for 6+ years, and ever since I discovered your music, thanks to Twitter for connecting us years ago (laughs), I’ve noticed how your lyrical messages are strong across the bored from anti-bullying, to dedicated fathers, love to women, and an AIDS anthem for the world to listen on. Of all messages, what influenced you to promote such powerful messages in the hip-hop community?

Tray Chaney: I just felt there was a void in the hip-hop industry when it came to these kind of messages, so I wanted to go against the grain and really push more positive storytelling. It’s really been a blessing with the recognition that comes from it.

Do you ever feel you are taking a risk in the hip-hop community by promoting these topics?

TC: I don’t really feel like there is a risk, because there is an audience that I’ve tapped into pursing this kind of music. I’ve been getting booked with some of the biggest acts in the hip-hop industry, because they respect the route I took. Plus, as much as I’m entertaining, I’m also educating, so it’s been a win for me as an independent artist. It is a lot of hard work, but most importantly, I enjoy the whole process.

477F9EEB-CE21-4BC8-847D-A2DF2963F0EFYour last music album, S.A.M. (Strictly About Music), came out in 2017. Are there any other music projects in production that your fans can look forward to in the near future? Any you can tell us about? 

TC: I’m working on an untitled album right now, as we speak. In the meantime, I’m staying consistent with the music by dropping singles. Just dropped my new Single MOMENTUM today. It’s available on all digital streaming platforms including Spotify, iTunes, etc.

 

A few of my favorite songs from you over the years are “Be Yourself”, “Self Made Star”, & “Mike Bully.” What are some of your favorite songs you’ve made and are most proud of to this date?

TC: That’s a hard question (laughs). All of the songs hold a special place in my heart, because I tell the truth with the lyrics. I do not have a favorite, I love all of them.

You’ve been in the film industry for a good 15+ years as an actor, but now you are starting to dive into the producer role for a few projects including your upcoming autobiography. Care to share some details on that a little bit? 

TC: Yes undeniable The Tray Chaney Story Documentary is my first major project that I’m  executive producing & I’ve partnered with a Washington DC film crew, Anthony Commodore (Commodore Independent Filmworks), & Mitch Credle (Safe House Films DC).

It’s my story about how I came into the entertainment industry and how I had to overcome trials and tribulations in my personal life. Bottom line, no matter what I went through in life, I never gave up. Features some awesome testimonials from Clifton Powell, Kenny Lattimore, Vanessa Bell Calloway, Russ Parr, Big Daddy Kane, Anwan Glover, Keith Robinson, J.D. Williams, and Blackchild! I’m very proud of it and it’s coming out very soon.

 

What influenced your decision to allow yourself to dive into the producer role?

TC: It’s about ownership & having creative control/freedom to give you all my art plus I’ve always wanted to step behind the camera & be involved with everything that goes on behind the scenes & everything it takes to put a great project together! I absolutely love what Anthony Commodore & Mitch Credle are teaching me.

Which role brings more challenges for you, a producer for film or bringing a character to life for the film, and why?

TC: I love the word Challenge & I love being able to face my challenges head on so I would say a producer for a film but the only reason why it doesn’t feel like a challenge is because I actually love learning the processe. With me being an actor having a job of bringing the character to life is pretty easy once I start diving into the backstory of who the character is.

You seem to be attracted musically and film-wise on stories with true and genuine substance. What are some stories that haven’t been brought to life yet, that you would love to see in the movie theater or in another art form?

TC: I would love to see the life story of how Def Jam records was put together. Everything Russell  Simmons had to go thru building such a dynamite brand of artist that still have a huge impact on the industry.

Are there any directors/producers/actors you would love to work with that you haven’t worked with yet in the film industry? Any artists in the hip-hop or music community in general you’d like to work with?

TC: I’d love to work with Ryan Coogler (Director Of Black Panther , Creed & Fruitvale Station), as well as, Spike Lee, Denzel Washington, and Will Smith. I’m speaking that into existence. It’s going to happen.

You’ve worked in various spots around the country for different film projects. What is the environment like in Atlanta, Georgia, compared to the Baltimore, Maryland and Washington D.C. area? Any similarities? Any differences?

TC:  The difference is Atlanta has so many projects going at one time from film, television, music , fashion, and so much more. This is definitely a location where you can come and either get on, or you will be inspired to come here and create your own. I’m from Forestville, Maryland/Washington DC area, and I see my city is improving on the music and film side of things as well, but not quite on the same level that Atlanta is at.

What seems to be the biggest challenge you’ve come across over the years as an artist? What has been the biggest reward for yourself as an artist?

TC: It’s been nothing, but rewards to be honest. I’ve been able to really build great relationships in the industry. I’m fortunate, because The Wire was such an impacted show that opportunities even on an independent level come across my desk all the time.

So, a crazy small-world story, I must share. I was looking through your IMdB page to spruce up some questions for you, and I discovered a connection we both share now, since it involves a credit of yours. Click on This! with my good friend, Johnny Alonso, and creator, Elena Moscatt. I also recently just interviewed Johnny Alonso, as well as, working on an interview currently with Elena Moscatt. How crazy is that?! (Laughs). Talk about a small world! And, with that in factor, you were one of the hosts in 2011 along with Alonso. What was your favorite memory from that whole experience?

TC: I loved connecting with the people! Such a wonderful experience!

What’s next for the brand, Chaney Vision? Where do you see yourself in the next year? In five years?

TC: Chaney Vision is producing more projects in television, film, and music. In the next five years my company will be a household name giving other artist platforms and opportunities.

Thank you so much, Tray, for taking time out of your busy schedule to sit down for this interview.  It was such a pleasure! Make sure you all go to his web site, www.trayscurriculum.com/store, and check his merchandise out, and if you enjoy hip-hop music, swing over to iTunes to give Tray Chaney a listen at http://itunes.apple.com/album/id1324851443?ls=1&app=itunes

Q&A Feature: Klazik

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I met this next artist at a talent competition for local hip-hop artists around the surrounding areas in Dubuque, Iowa. We connected on our similar backgrounds, prior to our civilian purpose as artists. Now I sit down and converse with another veteran turned artist about his music, his philosophy with art and life, and how the military shaped him as an artist.

You have an astounding resume prior to your music career. Care to tell the readers about your background?

Klazik: Sure, I’m originally from East Cleveland, Ohio. I joined the Navy in 2003 and did nine years active duty. After going through training in Great Lakes, Illinois, I was a Tomahawk missile technician on board the USS Mason DDG 87 in Norfolk, Virginia. I did three deployments from ’05-’09, and went on to be an Instructor in Virginia Beach, Virginia. Now I live in Marion, Iowa.

First and foremost, thank you for serving our country. As a fellow veteran for the armed forces, do you feel art is therapy or an essential outlet for people like us? Why or why not?

K: Some type of healthy release is definitely necessary, everyone isn’t artistic, but alcoholism is heavily encouraged in military culture. I’ve never smoked anything and have only taken a handful of drinks in my life. Making music is an escape for me, all creative expression. I’m confident in my music and comfortable on stage, it’s fun.

During your time in the armed forces, has your service strengthen your philosophy with life or had it evolved during those years?

K: It shaped my philosophy on leadership, because I saw first-hand the type of leader I don’t want to be. The nature of military leadership is abusive and hypocritical and there are a lot of people that meet qualifications for positions of authority that don’t deserve to lead.

Have you ever found a time where it has weakened your beliefs? If so, how did you overcome those moments?

K: Something that really affects me is when people that I have committed myself to show me they don’t care about me. I don’t like being taken advantage of or manipulated because its something that I have had happen to me from people that I trusted. Times like that can make you bitter if you allow it and the way I’ve learned to deal with it is by reflecting on the situation and everyone involved once it’s over. When you look back you can gain a better understanding of who you were at the time and why you allowed those people in your life, then you can grow from that understanding.

Presently, what is your philosophy in life?

K: The law of attraction is very real to me. The things in your life are drawn to you. They echo who and what you are back.

Where did your name “Klazified Sick” aka “Klazik” originate from?

K: It actually came from a line I wrote in a verse. It was during a time where I needed to come up with a new name for myself because a name I used previously was taken. I came up with the lyrics and thought “that’s pretty clever” and ran with it.

When it comes to your music, not only are the lyrics leaning towards a spiritual deliverance, but you carry an old school vibe in the beats. Who in the old school era influenced your flow and sound?

K: My style is directly influenced by the music of the mid 1990s to early 2000s, so that includes Notorious B.I.G., whose my primary influence, as well as, Jay-Z, Bone Thugs -N- Harmony, Fabolous, Kanye West, 50 Cent, etc.

I’m also studying and learning the history of rap music and hip-hop culture, so I connect with older artists like Big Daddy Kane and Rakim. However, I don’t hate new music, that’s just my style of creation.

Is it your path in life that influences the lyrics you deliver, or do you feel the influence from within?

K: I guess it’s from within because I don’t think about it, I just let it come to me. I haven’t written a verse down in over ten years.

Music isn’t your only creative outlet. You are also an amazing photographer. Is that another career move you have considered in the past or currently? Or is it just a hobby of yours?

K: Well thank you! It’s just a hobby now. I’m not as confident in it as I am with my music. I got into photography, because I wanted to learn to shoot videos. My thinking is, since video is just a series of pictures and if I can take a good picture that would help my videography. I am going take a more professional step forward with pictures this year though.
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In 2018, you dropped six singles for your fans. What should we expect from Klazik in 2019? Can we expect any music videos from you?

K: I like to release music in small doses, so its either a single or a three to five song project. I have a single that I just need to get mixed and get cover art for and Ill put that out in the first quarter of 2019. Also, I want to book some more live performances this year.

Is there anything in life that you haven’t done yet, that might be on your bucket or goal list?

K: The biggest goal I want to accomplish is to be able to make enough money from my music or any work that’s music related to fully support my family, and I’d like to make a song with Big Daddy Kane.

You can find Klazik’s music on Spotify, ITunes, or check out his website by simply clicking on http://smarturl.it/KLAZIK