*Caution: May Contain Spoilers! Read at Your Own Will*
Saul Pincus. Who is the guy? Well, if you have a deep admiration for the show La Femme Nikita you would know. But for those who simply don’t, Saul is one of many individuals from the production team I met last year in Toronto for the Reunion Convention celebrating 20 years of LFN. He is now a Toronto-based editor and co-wrote and directed this independent cinematographic gem, Nocturne.
I finally got around to watching this film, not once, but twice. Yes, I said twice. The opening few scenes was a continuous puzzle for your curiosity. I found myself wondering through the first five minutes like, “What the fuck is going on?”
This sophisticated story needs your undivided attention through and through for you to know exactly what’s going on. Multi-tasking when you hit play is not a fucking option, because guarantee suddenly the climax will catch your eye and you will just stop what you are doing in the forefront.
Picture it: One minute I am working on my photo editing from one of my current projects and then…. …BAM! Duct tape, screaming, and the screech of the tires from the car hit you. From that instant you walk away, mid-edit, grab your Smart TV remote and stop the film as you think to yourself, “What the fuck just happened? I thought this film was about an insomnia and sleep-walker?” That’s when you go back to the menu and click on the option, ‘play from the beginning.’
I should have known better. All the independent films I have saw over the years from Canada has been anything, but disappointments. It’s what I strive for with my very own storytelling. As for those who love to study film beyond the story-telling, let me tell you…
…the cinematography is on point and was so up close and personal with the scenes and the actors throughout the film. The original story itself is authentic. Nothing I ever expected from a film before. I love that. The articulate transitions between the backstories and the original story, the animations were brilliant. At the end of it all, this film was a brilliant masterpiece. A one of it’s kind. I highly suggest anyone with a love for film to take 90 minutes, give or take, of their time to watch it.
Saul, by chance if you read this. I cannot wait for more of your projects to blossom. An amazing job in the directing and writing of this film. You’ve shown you’ve learned so much in the art of film with the trail you have left so far in your career. Bravo!